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没有和解 HD中字6.0
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豆7.7 已完结/1965/其它/剧情/
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  • 没有和解

  • 片名：没有和解
  • 状态：已完结
  • 主演：Heinrich/Hargesheimer/Carlheinz/Hargesheimer/Martha/Staendner/达尼埃尔·于伊耶/Henning/Harmssen/Ulrich/Hopmann/Joachim/Weiler/Eva-Maria/Bold/Hiltraud/Wegener/Ulrich/von/Thüna/Ernst/Kutzinski/Karl/Bodenschatz/Heiner/Braun/Georg/Zander/Lutz/Grubnau/若阿内斯·巴尔斯基/保罗·埃塞尔/
  • 导演：让-马里·斯特劳布/达尼埃尔·于伊耶/
  • 年份：1965
  • 地区：其它
  • 类型：剧情/
  • 时长：内详
  • 上映：1965-07-04
  • 语言：其它
  • 更新：2024-12-08 20:14
  • 简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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剧情简介

影片名称：没有和解

影片别名：恨难解 Not Reconciled Not Reconciled or Only Violence Helps Where Violence Rules

影片类型：剧情电影

影片导演：让-马里·斯特劳布,达尼埃尔·于伊耶

影片演员：Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔

年份地区：1965/其它

更新时间：2024-12-08 20:12:34

资源更新：已完结

影片语言：其它

播放量：250158次

点赞次数：38074次

豆瓣地址：https://movie.douban.com/subject/1850440/

1965年在其它地区上映，让-马里·斯特劳布,达尼埃尔·于伊耶导演执导的剧情片，由Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔众多知名演员主演，看过这部剧情电影没有和解的影迷朋友们都觉得还行。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands. 展开

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