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    从今天到明天 HD中字6.0
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    已完结/1997/法国/喜剧/音乐/

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    • 从今天到明天

    • 片名：从今天到明天
    • 状态：已完结
    • 主演：未知
    • 导演：达尼埃尔·于伊耶/让-马里·斯特劳布/
    • 年份：1997
    • 地区：法国
    • 类型：喜剧/音乐/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2024-12-08 17:41
    • 简介：Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
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    剧情简介

    影片名称：从今天到明天

    影片别名：Du jour au lendemain

    影片类型：喜剧电影

    影片导演：达尼埃尔·于伊耶,让-马里·斯特劳布

    年份地区：1997/法国

    更新时间：2024-12-08 17:12:39

    资源更新：已完结

    影片语言：其它

    播放量：224658次

    点赞次数：36994次

    豆瓣地址：https://movie.douban.com/subject/4156081/

    1997年在法国地区上映，达尼埃尔·于伊耶,让-马里·斯特劳布导演执导的喜剧片，由未知众多知名演员主演，看过这部喜剧电影从今天到明天的影迷朋友们都觉得还行。

    Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

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